In the classroom and on paper, I am working to integrate text and context. The pleasures of reading remain paramount for me. Now that the reaction against New Criticism has crested, I am exploring how to supplement readerly pleasures with the intricate, amplifying elements to be engaged through contextual study, and through psychoanalytic and gender theories. Whether the classroom is focusing on American and British Gothic of the Nineteenth Century (Eng. 45100, 41800) or on contemporary fiction (Eng. 247, 270, 499) or on specific figures such as Henry James (Eng. 223) or Ambrose Bierce (Eng. 298), I work from James' wonderful dictum "in the arts feeling is always meaning." Each student's individual experience of the text is what I emphasize: our goal is not to agree but to define what we share and where we disagree. Respect for affective differences, rather than homage to a fashionable ideology or methodology, is the goal of my teaching.