Since its founding the English Department at the University of Chicago has committed to questioning and reformulating the basic principles of literary study. Once famous for the Aristotelian Chicago School of criticism of the 1950s, today the Department, ranked first among English departments in the US, stands out for its interdisciplinary approach to literature and its commitment to close reading combined with historical and conceptual analysis.
Our coverage of chronological fields extends from the medieval era to the twenty-first century, and includes a wide variety of subfields, media, and genres, including graphic narrative, comics, and video games, theatre, cinema, and visual culture, poetry and poetics, fiction and nonfiction, gender and race studies, literary and cultural theory, global Anglophone writing, animal and posthuman studies, psychoanalysis and affect studies, ecocriticism and climate change. Graduate workshops offer students and faculty opportunities to share work in progress and to read, hear, and discuss current work by scholars from other institutions. The department also supports three distinguished journals, Modern Philology, Critical Inquiry, and Chicago Review, the last of which is run by our graduate students. A vibrant new major in Creative Writing offers students the opportunity to develop their talents in poetry, drama, fiction, nonfiction, and digital media, as well as to participate in an ongoing program of readings and workshops with visiting writers.
Faculty Statement (July 2020)
The English department at the University of Chicago believes that Black Lives Matter, and that the lives of George Floyd, Breonna Taylor, Tony McDade, and Rayshard Brooks matter, as do thousands of others named and unnamed who have been subject to police violence. As literary scholars, we attend to the histories, atmospheres, and scenes of anti-Black racism and racial violence in the United States and across the world. We are committed to the struggle of Black and Indigenous people, and all racialized and dispossessed people, against inequality and brutality
The department is invested in the study of African American, African, and African diaspora literature and media, as well as in the histories of political struggle, collective action, and protest that Black, Indigenous and other racialized peoples have pursued, both here in the United States and in solidarity with international movements. Together with students, we attend both to literature’s capacity to normalize violence and derive pleasure from its aesthetic expression, and ways to use the representation of that violence to reorganize how we address making and breaking life. Our commitment is not just to ideas in the abstract, but also to activating histories of engaged art, debate, struggle, collective action, and counterrevolution as contexts for the emergence of ideas and narratives.
English as a discipline has a long history of providing aesthetic rationalizations for colonization, exploitation, extraction, and anti-Blackness. Our discipline is responsible for developing hierarchies of cultural production that have contributed directly to social and systemic determinations of whose lives matter and why. And while inroads have been made in terms of acknowledging the centrality of both individual literary works and collective histories of racialized and colonized people, there is still much to do as a discipline and as a department to build a more inclusive and equitable field for describing, studying, and teaching the relationship between aesthetics, representation, inequality, and power.
In light of this historical reality, we believe that undoing persistent, recalcitrant anti-Blackness in our discipline and in our institutions must be the collective responsibility of all faculty, here and elsewhere. In support of this aim, we have been expanding our range of research and teaching through recent hiring, mentorship, and admissions initiatives that have enriched our department with a number of Black scholars and scholars of color who are innovating in the study of the global contours of anti-Blackness and in the equally global project of Black freedom. Our collective enrichment is also a collective debt; this department reaffirms the urgency of ensuring institutional and intellectual support for colleagues and students working in the Black studies tradition, alongside whom we continue to deepen our intellectual commitments to this tradition. As such, we believe all scholars have a responsibility to know the literatures of African American, African diasporic, and colonized peoples, regardless of area of specialization, as a core competence of the profession.
We acknowledge the university's and our field's complicated history with the South Side. While we draw intellectual inspiration from the work of writers deeply connected to Chicago's south side, including Ida B. Wells, Gwendolyn Brooks, Lorraine Hansberry, and Richard Wright, we are also attuned to the way that the university has been a vehicle of intellectual and economic opportunity for some in the community, and a site of exclusion and violence for others. Part of our commitment to the struggle for Black lives entails vigorous participation in university-wide conversations and activism about the university's past and present role in the historically Black neighborhood that houses it.